The narrator allowed us to see the insecurities and vulnerabilities of a woman putting on a tough illusion. It is a very known fact the we as people are completely divided on the topic that there are good in the bad and bad in the good.
She also uses the names of the characters as a sort of symbolism for readers to understand them even more. She is the mother to Joy who later changes her name to Hulga. From these four characters, Joy Hulga and Manley Pointer are the deepest and the ones with the most obvious facades.
The bulk of the story takes place between these two characters, Joy and Manley, who begin their relationship in a simple and natural way, but ended up showing their true characters. Hulga, Mrs. Hopewell daughter, is 32 years old with an artificial leg due to a….
They deal with social, personal and moral problems and offer an entertaining as well as instructive look as how people cope with life in the twentieth century. The outstanding novelist with in this tradition is D.
H Lawrence. Whose novels conform to the usual pattern of presenting character at odds with society, but Lawrence goes much further than other writers in a romantic quest for as alternative way of life.
He feels that there must be a new way in which people can relate to each other. However, in his best novel, the Rainbow and women in Love Lawrence is committed to explore fresh areas of experience.
Even though when Chaucer first introduces him, the Squire is depicted as a vain man who is just concerned about his appearance, further inquiry into the story unveils all of the wonderful, hidden traits that make the Squire such an amazing character. Not only is he very skilled at what he does, he also manages to do it at a very young age. He also manages to remain chivalrous and respectful throughout it all, showing that although he is not as experienced as his father, he definitely holds the potential to be a wonderful knight one day.
Hopewell cannot reconcile herself to a daughter who is "different," despite the fact that Mrs. Hopewell can sound as though she has an all-accepting, catholic compassion. In fact, Mrs. Hopewell would probably sum up her inability to understand her daughter-with-a-Ph. Hopewell considers Hulga's acts of rebellion to be little more than pranks of an immature mind.
It is precisely Hulga's Ph. Hopewell thinks that girls should go to school and have a good time — but Hulga has attained the ultimate educational degree, and yet education did not "bring her out"; privately, Mrs. Hopewell is glad that there is "no more excuse for [Hulga] to go to school again.
Hopewell would like to brag about her daughter, as she can brag about Mrs. Freeman's daughters, but bragging about Hulga is next to impossible. Hopewell can't say, "My daughter is a philosopher. Hopewell knows, is something that "ended with the Greeks and Romans. Hulga's manner of dress also contributes to the vast misunderstanding that exists between the two women. Hopewell thinks that Hulga's wearing "a six-year-old skirt and a yellow sweat shirt with a faded cowboy on a horse embossed on it" is idiotic, proof that despite Hulga's Ph.
In addition to Hulga's wearing inappropriate clothes, her name change from "Joy" to "Hulga" cut such a wound into Mrs. Hopewell that she will never entirely heal. To change one's name from "Joy" to "Hulga," according to Mrs. Hopewell, was an act of ridiculously immature rebellion. Hopewell is convinced that Joy pondered until she "hit upon the ugliest name in any language" and then legally changed her name. Hopewell is embarrassed and angry about her daughter's behavior, but she knows that she must ultimately accept it — because of the hunting accident which cost Joy her leg when she was ten.
This misfortune is compounded by a doctor's opinion that Hulga will not live past forty because of a heart condition; furthermore, Hulga has been deprived of ever dancing and having what Mrs.
Hopewell calls a "normal good time. The chasm between the two women is even further deepened by Mrs. Hopewell's attitude toward the Freeman girls — as opposed to her attitude toward Hulga. Hopewell likes to praise Glynese and Carramae by telling people that they are "two of the finest girls" she knows, and she also praises their mother, Mrs. Freeman, as a lady whom "she was never ashamed to take. Hopewell is deeply ashamed of Hulga's name, the way she dresses, and her behavior.
Hulga's own attitude toward the two Freeman girls is one of repulsion. She calls them "Glycerin" and "Caramel" oily and sticky sweet. Hopewell is aware that Hulga disapproves of the Freeman girls, but she herself remains enchanted by them, totally unconscious of her own daughter's deep need to be accepted — even though Hulga states that "If you want me, here I am — LIKE I AM.
As a result of Mrs. Hopewell's failure to understand Hulga, Hulga withdraws; she decides not to attempt any meaningful relationship with her mother. We see this withdrawal particularly in a scene in which her mother has just uttered a series of her favorite, ever-ready platitudes, and O'Connor focuses on Hulga's eyes.
Hulga's eyes, she says, are "icy blue, with the look of someone who has achieved blindness by an act of will and means to keep it. Hulga, then, by O'Connor's admission is "blind," and ironically, it is during one of Hulga's exchanges with her mother, while Hulga is attempting to reveal her mother's blindness to her her lack of awareness , that Hulga fails; instead, she reveals a vast weakness in her own professedly atheistic views, laying her open later to Manley Pointer's attack.
Hopewell had told Hulga, in simple, "good country" terms, that a smile on her face would improve matters "a smile never hurt anything". In a moment of seemingly immense insight, Hulga lashed out at her mother, yelling, "We are not our own light! O'Connor is showing us here that Hulga, with her Ph. To Hulga, there is no god and there is no afterlife; man is all. Now, however, we see that Hulga unconsciously wants to believe that there is a power greater than herself.
Subconsciously, she deeply desires something to which she might surrender herself, as she later does to Pointer's advances. Thus, ironically, in pointing out her mother's "blindness," Hulga has revealed to us that she herself is blind about her own desires and her own view of reality. Remember that until this moment, Hulga has subscribed to an atheistic viewpoint.
She has believed that she was an iron-willed rationalist, as indicated by the underlined passage in one of her books that Mrs.
Hopewell attempted to read. Hulga's conscious assumption that there was nothing behind the surface reality which we see around us is a far cry from the "truth" that she now cites in Malebranche's philosophy. Malebranche, a seventeenth-century Catholic philosopher, believed that even the simplest of bodily movements was possible only because of the supernatural power that was constantly present.
This supernatural power metaphorically functioned as the strings between the puppet master the mind and the puppet the body. The ever-present hostility which exists between Hulga and her mother is undoubtedly aggravated by the presence of Mrs. Freeman, whom Hulga's mother idealizes as an example of "good country people.
Freeman as an example of "good country people. On the contrary, Mrs. Freeman is depicted as a fairly shrewd woman who is capable of "using" Mrs. Topics in Paper. Example Essays. Continue reading this essay Continue reading Page 1 of 4. Next Page. More Essays:. In MegaEssays.
0コメント